Author: admin

Since we started the label Nonvisualobjects two years ago, many collaborations with artists worldwide have arisen, a large, growing network has evolved and an extensive body of work has been formed that we would like to explore and try to sum up. The book developed from the idea of presenting an extract of artists involved in the current experimental electro-acoustic music scene, often following a rather reduced approach in their work. We would like to present artists that work in different areas in this field of electroacoustic music, to cover a large spectrum even in this quite specific area.

With essays, interviews, photos, drawings and other materials presented in this book, we try to look at the motivation and intention behind the sound production from different perspectives, to possibly allow for a new/extended approach to this form of music.

Many of the artists involved in this project do not exclusively work with sound, but also in other artistic disciplines. In this book we would like to present these other sides of their work to allow crossreferences/crosslinks to open up new aspects of the music.

EXTRACT contains interviews, essays, photos, drawings and 22 tracks by: Keith Berry, Richard Chartier, Taylor Deupree, Heribert Friedl, Richard Garet, Andy Graydon, Bernhard Günter, John Hudak, I8U, Dean King, Dale Lloyd, Roel Meelkop, Will Montgomery, Tomas Philips, Steve Roden, Jos Smolders, Steinbrüchel, Nao Sugimoto (aka mondii), Asmus Tietchens, Toshiya Tsunoda, Ubeboet and Michael Vorfeld.

LINE is proud to announce the release of its first DVD, Camera Lucida. The project by Russian/American installation and video artists, Evelina Domnitch + Dmitry Gelfand and developed in collaboration with scientific laboratories in Japan, Germany, Russia and Belgium, Camera Lucida (chamber of light or lucidity) is a 3-dimensional sonic observatory that directly transforms sound into light by employing a phenomenon known as sonoluminescence: ultrasound, propagating within a liquid, triggers the formation and implosion of micro-bubbles that reach temperatures as high as are found on the Sun, and emit light in the shape of sound waves. The authors of the installation, Evelina Domnitch and Dmitry Gelfand, joined forces with multiple sound artists to create the sonochemical compositions presented on this DVD. This DVD also contains a data partition with uncompressed high resolution audio files of all the works.

Evelina Domnitch and Dmitry Gelfand create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Having dismissed all forms of fixative and recording media, Domnitch and Gelfand’s installations exist as ever-transforming phenomena offered for observation. Because these rarely seen manifestations take place directly in front of the observer without being distorted and flattened onto a screen, they often serve to vastly extend the observer’s sensory envelope.

Their works have been exhibited worldwide, including shows at V2 Institute for Unstable Media (Rotterdam, Netherlands), Nijo Castle (Kyoto, Japan), Museum of Dreams (St. Petersburg, Russia), I-20 Gallery (New York, USA), Die Schachtel (Milan, Italy) and Tesla (Berlin, Germany).

Due to the detailed and subtle visual nature of this work and phenomenon the artists have chosen to use PAL over NTSC encoding to maintain the maximum resolution possible for the movie and sound files. This DVD is region free and can be played on any computer DVD drive. No region switching is necessary For television screen viewing, it can only playback on a PAL or multi-system DVD player. Playback in a darkened space with monitor brightness turned up is encouraged.

The two sound projects, Apartment Music and Chamber Music, were conceived five years after the original concept for Silent Room. Created to accompany the DVD version of Silent Room, both are conceptual extensions of the original project that offer additional meditations upon intimacy, idiosyncrasy, isolation, interior space, formal structure and informal fluidity. Both sound projects reach out to other artists for intimate material, whether it’s a fragment of music to be played with by Skoltz_Kolgen or an invited artist’s interpretation of their own living room.

In the summertime, in the woods of New York State, the midnight insects can be at once serene and deafeningly loud. A field recording of this din of nighttime creatures was the inspiration and base for 1am. Dense, and often aggressive, 1am
Despite 1am‘s opaque and rich sound it is not unlike the 23-minute epic title track from Deupree’s Stil. CD (12k1020). It is unwavering and highly repetitious but with enormous amounts of textural and timbral shifting.

LINE is proud to present the first full length collaboration by Richard Chartier and Taylor Deupree since 1999′s Spec. (12k). For this collaboration, sound artists Richard Chartier and Taylor Deupree were invited by the Hirshhorn Museum and Sculpture Garden, Washington, DC, to create a new live work inspired by the Seascapes series of renowned Japanese photographer Hiroshi Sugimoto on the occasion of his retrospective exhibition. The result is this live recording, Specification.Fifteen. This work premiered on March 30, 2006 in front of the curved panoramic window of the Museum’s Lerner Room as the sun set across the city’s skyline. Specification.Fifteen evokes the stillness and opposing yet related spaces of Sugimoto’s Seascapes, which suggest infinitesimal change and variation under a seemingly uniform surface.

Water and air. So very commonplace are these substances, they hardly attract attentionÜand yet they vouchsafe our very existence. Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing. – Hiroshi Sugimoto